This Salon.com article was the first general audience article to appear on the phenomena of multi-image in film, TV and installations. (Please note this writing on the TV show was from its first season, before its pro-torture episodes predominated.)
In which I examine the beauties and rigors of Baz Luhrmann's under-praised 2001 film Moulin Rouge.
A series of installations at a 2005 gallery inspired this essay on the relationship of three separate images joined together.
This 1985 article splashed across the front page of the Village Voice’s technology supplement and named the beginning of multi-image narrative, with the internet and video digital technology still more than a decade away.